James Diaz

Tuesday, June 24
Bethel University



Program

Pebble Beach Sojourn (1984) Ron Nelson
James Diaz, organ soloist

Concerto for Organ & Strings (1980) Calvin Hampton

Jacob's Ladder - Concerto for Organ and Strings (2008 - Premiere) Judith Bingham
Commissioned for the 2008 AGO National Convention

Stephen Cleobury, organ soloist

Grand Concerto (No. 3) (2004) Stephen Paulus
James Diaz, organ soloist

Festival Orchestra
Philip Brunelle, conductor


James Diaz is the First Prize winner of the 2000 Dallas International Organ Competition, and the Gold Medal and Concerto Prize winner of the 1994 Calgary International Organ Competition. In the same year he also received First Prize at the Fort Wayne National Organ Competition.

In addition to giving solo recitals in North America, Europe, and Asia, Mr. Diaz has given the world premiere performances and recordings of two organ and orchestra works by Pulitzer Prize winning composers. In 2002 he appeared with the Dallas Symphony in the premiere of Joseph Schwantner’s September Canticle, which he later recorded for Hyperion Records on a CD that made Fanfare magazine’s “Best of 2006” list. In 1994 he premiered Gunther Schuller’s Concerto for Organ and Orchestra with the Calgary Philharmonic, which was recorded for New World Records. He has also recorded a solo CD at the Meyerson Symphony Center for Delos International.

Mr. Diaz is a summa cum laude graduate of the University of Michigan, and holds the master’s degree from the Cleveland Institute of Music. He studied organ with Robert Glasgow, Todd Wilson, and Karel Paukert. He is the Organist and Choirmaster of Saint Michael and All Angels Church in Dallas, one of the largest Episcopal churches in the United States.

Press Quotes:

“His playing was assured, elegant, and beautifully paced…this recital was the highlight of [the American Guild of Organists] convention.” –The American Organist

“James Diaz delivers his organ part with eloquence and profundity.” –Classical.net

“Diaz played with technical brilliance, absolute interpretive control, a highly acute sense of organ registrations.” –The Diapason


Copyright © 2007-08 by the Twin Cities Chapter of the American Guild of Organists. All rights reserved.